HARC0361A-S13
Minimalism
Minimalism: Art, Objects, and Experience
In Artforum in 1966, the sculptor Robert Morris defended his plain, geometric objects, arguing: “Simplicity of shape does not necessarily equate with simplicity of experience.” Such a position has come to define minimalism, one of the most important artistic practices of the postwar era in North America. In this seminar we will explore the development of minimal art across a variety of media, including painting, sculpture, film, and music. We will focus on the practices of individual artists (Donald Judd, Carl Andre, Dan Flavin) as well as broader theoretical arguments. Students will situate figures and debates historically and also explore their contemporary influence. 3 hrs. sem.
In Artforum in 1966, the sculptor Robert Morris defended his plain, geometric objects, arguing: “Simplicity of shape does not necessarily equate with simplicity of experience.” Such a position has come to define minimalism, one of the most important artistic practices of the postwar era in North America. In this seminar we will explore the development of minimal art across a variety of media, including painting, sculpture, film, and music. We will focus on the practices of individual artists (Donald Judd, Carl Andre, Dan Flavin) as well as broader theoretical arguments. Students will situate figures and debates historically and also explore their contemporary influence. 3 hrs. sem.
- Term:
- Spring 2013
- Location:
- Mahaney Center for the Arts 126(MAC 126)
- Schedule:
- 1:30pm-4:15pm on Monday (Feb 11, 2013 to May 13, 2013)
- Type:
- Seminar
- Instructors:
- Edward Vazquez
- Subject:
- History of Art & Architecture
- Department:
- History of Art & Architecture
- Division:
- Humanities
- Requirements Fulfilled:
- ART HIS NOR
- Levels:
- Undergraduate
- Availability:
- View availability, prerequisites, and other requirements.
- Course Reference Number (CRN):
- 22140
- Subject Code:
- HARC
- Course Number:
- 0361
- Section Identifier:
- A