The West on Film
From its beginnings the Hollywood western has presented an imaginative geography, a powerful popular fantasy expressing deep truths, and perhaps still deeper desires about American identity. Initially the western reasserted 19th century America’s optimistic vision of manifest destiny; ultimately, many westerns challenged that optimism, often explicitly presenting racial, sexual, and political tensions. Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed. Working with a broad range of films, including Stagecoach, High Noon, Pat Garrett and Billy the Kid, Unforgiven, Lone Star, Blazing Saddles—and perhaps even the recent Cowboys vs. Aliens—we will explore the ways in which westerns have both shaped and reflected the dominant social and political desires and anxieties of their respective eras.
- Winter 2013
- Sunderland Lanuage Ctr 110(SDL 110)
- 10:30am-12:30pm on Monday, Wednesday, Thursday at SDL 110 (Jan 7, 2013 to Feb 1, 2013)
1:00pm-4:00pm on Wednesday at SDL 110 (Jan 7, 2013 to Feb 1, 2013)
- Deborah Evans
- American Studies
- Program in American Studies
- Requirements Fulfilled:
- ART NOR WTR
- View availability, prerequisites, and other requirements.
- Course Reference Number (CRN):