Modern China through Literature (in translation)
This course, taught in English, is a discussion-based seminar on some of the most significant works of short fiction, novellas, and novels that tell the story of China and the Chinese from the end of the Qing dynasty to the present. Students will gain a better understanding of the history of modern China by studying the works of literature that inspired readers and provoked debate during one hundred years of social reform, revolution, war, civil war, reconstruction, cultural revolution, cultural revival, and economic growth. Our reading will include work by authors such as Lu Xun (Diary of a Madman, 1918), Zhang Ailing (Love in a Fallen City, 1944), Ah Cheng (The Chess King, 1984), Yu Hua (To Live, 1993), and, from Taiwan, Zhu Tianwen (Notes of a Desolate Man, 1999). We will consider the mainstream (socially engaged realism), the avant-garde (varieties of modernism), and popular genres (romance and martial arts), and we will look for answers to the following questions: what has been the place of fiction in China in the modern era and what vision of modern China do we find in its fiction? (No prerequisites) 3 hrs. lect./disc.

Clouds and Rain: Love and Sexuality in Traditional Chinese Literature (in translation)
This seminar explores a spectrum of traditional attitudes toward romantic love, sexualities, men and women seen through the prism of classical Chinese literature. Fiction and drama will be the main focus with due attention to poetry. Texts to be analyzed include, e.g., pre-6th-century B.C. and subsequent poems; 3rd and 4th-century and later stories of strange romances; the remarkable 7th-century tale of the Dwelling of Playful Goddesses and early 9th-century love story of “Yingying”; the marvelous late 16th-century romantic drama, the Peony Pavilion; the hilarious late 17th-century erotic novella, the Carnal Prayer Mat; and selected chapters from novelistic masterworks such as the late 16th-century and early 17th-century, Jin Ping Mei, and the 18th-century, The Story of the Stone (also known as Dream of the Red Chamber). (National/Transnational Feminisms) 3 hrs. lect./disc.

The Chinese Literary Tradition (in translation)
This course, an introduction to the works of literature that formed the basis of traditional Chinese culture, is a discussion-based seminar. It focuses first on texts written in classical Chinese from the earliest times up through the Song dynasty, including selections from early poetry and history, Daoist classics, stories of the strange, and Tang Dynasty poetry by Wang Wei, Li Bai and Du Fu. These texts shaped the traditional Chinese understanding of the world, and provided models of what was perceived to be powerful, beautiful language. In the second part of the course we will explore narratives written in the vernacular language, focusing on the literary significance and aesthetic value of drama, stories and novels long treasured by the Chinese. Students will gain a better understanding of traditional Chinese literary values, as well as Chinese society and worldviews. (No background in Chinese culture or language needed.) 3 hrs. lect./disc.

Molecular Genetics
This course will focus on the structure and function of nucleic acids in both prokaryotes and eukaryotes. Lectures will center on molecular mechanisms of mutation, transposition, and recombination, the regulation of gene expression, and gene control in development, immune diversity and carcinogenesis. Readings from the primary literature will complement the textbook and classroom discussions. The laboratory will provide training in both classic and contemporary molecular-genetic techniques including nucleic acid isolation and purification, cloning, electroporation, nick-translation, Southern/Northern blotting, DNA sequencing, PCR and RT-PCR. (BIOL or MBBC majors, or by waiver. BIOL 0140 and BIOL 0145 or waiver) 3 hrs. lect./4 hrs. lab./1 hr. prelab.