Middlebury

HARC 0367

Duality in African Art

Seeing Double: Ideas of Duality in Sub-Saharan African Art
From idealized sculptural pairs to hermaphroditic figures, ideas of doubling and duality are enduring concerns in many sub-Saharan African cultures. In this seminar, we will explore this theme by closely analyzing artworks from Mali to Madagascar from the 12th to the 21st century whose iconography features couples and dualistic imagery as well as bipartite figurative and masquerade traditions, among others. Through weekly readings, written and verbal reflections, and museum visits, we will elucidate relationships between the objects and the worldviews that inspired them. Culminating in a virtual group exhibit and complementary individual research papers and presentations, we will learn how these artworks make visible powerful abstract forces that influence the behaviors, well-being, and lives of their users.
Subject:
History of Art & Architecture
Department:
History of Art & Architecture
Division:
Humanities
Requirements Fulfilled:
ART CMP HIS SAF
Equivalent Courses:
BLST 0367

Sections in Spring 2024, School Abroad France (Paris)

Spring 2024

HARC0367A-S24 Seminar (Lenius)