Middlebury

HARC 0281

Controversies in AmArt&Museums

Viewer Discretion Advised: Controversies in American Art & Museums, 1876-Present
What are the “culture wars,” and why do they matter? What ideas are considered too “obscene” for American audiences? In this course we will explore controversies and scandals sparked by public displays of art in the U.S. including: Eakins’s Gross Clinic (1876), seen as too “bloody” for an art exhibition; the U.S. Navy’s objections to Paul Cadmus’s painting of sailors (1934); censorship and NEA budget cuts (Mapplethorpe & Serrano, 1989); backlash to The West as America’s deconstruction of myths of the frontier (1991); tensions surrounding Colonial Williamsburg’s “slave auction” reenactment (1994); debates over the continued display (and occasional defacement) of Confederate monuments in the era of the Black Lives Matter Movement. (open to AMST, HARC and ART majors only, other by approval) 3 hrs. lect./disc.
Subject:
History of Art & Architecture
Department:
History of Art & Architecture
Division:
Humanities
Requirements Fulfilled:
AMR ART HIS
Equivalent Courses:
AMST 0281 *

Sections in Spring 2018, School Abroad France (Paris)

Spring 2018

HARC0281A-S18 Lecture (Foutch)