RELI 1027
Iran through Film & Literature
Iran through Film & Literature
In this course we will examine modern Iran through film and literature. We will investigate the distinct characteristics of pre- and post-revolutionary Iranian society through film, novellas, short stories, and poetry. Discussions for the pre-revolutionary period will revolve around social justice; political and religious corruption; poverty and political dissent - a prologue to the forthcoming Iranian revolution. Post-revolutionary topics include themes such as class, representations of Islam and the clerical establishment; gender politics; women's social, economic, and political roles; and the symbolic language of modern Iranian cinema. We will study films such as Bashu by Bahram Beyza'i, Brick and Mirror by Ebrahim Golestan, and The Lizard by Kamal Tabrizi; and such literary pieces as Dash Akol by Sadeq Hedayat, Trial Offers by Shahrnush Parsipur, and Sour Cherry Pits by Zoya Pirzad.
In this course we will examine modern Iran through film and literature. We will investigate the distinct characteristics of pre- and post-revolutionary Iranian society through film, novellas, short stories, and poetry. Discussions for the pre-revolutionary period will revolve around social justice; political and religious corruption; poverty and political dissent - a prologue to the forthcoming Iranian revolution. Post-revolutionary topics include themes such as class, representations of Islam and the clerical establishment; gender politics; women's social, economic, and political roles; and the symbolic language of modern Iranian cinema. We will study films such as Bashu by Bahram Beyza'i, Brick and Mirror by Ebrahim Golestan, and The Lizard by Kamal Tabrizi; and such literary pieces as Dash Akol by Sadeq Hedayat, Trial Offers by Shahrnush Parsipur, and Sour Cherry Pits by Zoya Pirzad.